Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
全程只有熊二……换个角色跟熊出没有啥关系啊，大场面倒是不少画的也还可以，不过就是看不下去。
我都这么大了，对于这一伙人还是那么喜欢，尽管有低俗的笑点，意料之中的结局，普通的人设，我还是那么感动。（熊出没都走科幻路了，时代真的变了）
这分数是不是有点低，感觉现在观众的口味真的很挑剔，觉得还好，全程没有尿点，大小皆宜，动画很逗也很酷，就是结尾有点交代不清，一脸懵逼，小猫的父母到底怎么找到的有没交代，收尾有点仓促，但是比隔壁贺岁档好总比看人车祸好，笑死人，哈哈哈
披着科幻外壳的治愈成长故事，敲响科学繁荣破败阴影下的自省警钟。熊二成主角，外星也来客，废材摇身也能变英雄。意外的原核入体，俗套的剧情落点，各种超英电影影子的杂烩搭缀，打斗场面烘托渲染的焦灼氛围，商业元素的极致绽放，不显无趣的奇思妙想，从头到尾的厮斗情节，都是超出预期的小小惊喜。人与自然的敬畏反思，金钱权欲的致命诱惑，友情亲情的温馨时刻，都能给予小朋友一定的教育意义。我觉得比起同期的喜羊羊要好的多，果然熊出没不负众望hhh……
今天下午陪小神兽们一起看《熊出没 重返地球》，却深感失望。虽然3D动画效果已和世界接轨，软性水平还差太多。
剧情很奇怪，搞笑情节像硬塞进去的，也吸收了印度歌舞片。唯一让人看下去的动力就是夫人了。夫人太好看了，即使黑化也是美的。
熊二好可爱，我也想过当英雄拯救🌏。
我外甥拖着我去看的，本以为打算进去玩手机，没想到，有点东西啊，虽然还是子供向哪套，雷同的地方多了点，7分吧
不好！前半段还行，后半段变成奥特曼互打了，毫无意义，太拖沓了
从这一部我大概可以下一个判断，熊出没系列接地气这个事，不在于制作方能不能，而在于想不想。
一般算不上好看，画面比较空旷
转引五岁小朋友的话：零分。
满满的漫威元素
我早在春节档之前就说了是最值票价的电影，特效给料特别足，分镜设计也不错，大场面和打斗场景都属上乘。
给第一次进影院看的熊出没系列打五星，鼓励。
作为子供向是合格的。熊出没真是把后发优势发挥到极致了啊，特种融合怪。
熊二很不错，不知道说什么的时候就给大大的拥抱。
和《愤怒的小鸟2》、《雪怪大冒险》是一个水平线，学习了很多电影的走向和形式，给孩子看还是可以的。配乐不错。
今年能山没剧情不如去年好看……也可能是前一天太累了，所以睡了一个小时…
本片亮点：1大马猴和二虎买彩票从而引出熊二意念
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