James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
最最最想吐槽的是。最后大战怪物似乎要营造很厉害的样子。。结果莫名其妙来首歌来把弓BIU一下没有了
传说部分的画面表现很棒,剧情很典型的日系治愈,后半处理的不好所以只勉强及格
伤痛不一定非要用尽方法去治愈它,每天平静的生活下去,就已经在化解伤痛。
治愈系 讲了日本传说 妖怪们 日本神社文化
是昨晚emo时当机立断选看的,主角们温柔又善良,小姑娘蕴含着大大的力量,河童们活泼又可爱。
再说故事内容,前面情绪铺垫太多了,看着很累,后面对抗情绪怪兽又太快,转瞬即逝,即便想说悲伤是可以很快化解的,但着实也没让人get到。而且,如果是想让大家不要沉浸于悲伤情绪中,为什么需要一个奶奶和两个小朋友去对抗?以及,把怪兽干掉之后,大家就不会悲伤了吗?反正就是觉得有些强行刻意,但其中并没有什么逻辑。
三星给画质+立意,结尾拼凑感太强,悲伤会吞噬快乐,珍惜当下
影片豆瓣还没有打出评分,总的来说,故事是超级简单的,节奏也很平缓,究故事党慎入,因为可能会觉得的无聊。
女主三观有点问题啊,但是这个电影张力好强我爱了。麻烦多拍点。
是可以给我内心力量的动画。
战胜怪力 重新拾得幸福美好
温吞。想要立于现实之上呈现鬼怪的意味,但实在催眠。
剧情从雌竞开始,到温柔融化坚冰结束,但果然我还是不喜欢病娇剧情..
最后大摇大摆走进人家正在开班会的教室众目睽睽之下对她说要跟你再睡一次的操作震惊我全家
你以为是个温情剧,结果是个神话。打斗场面只有两分钟。还没有小学生打架时间长。
女主壞得好坦然,現實中就是那種命忒硬的刻薄老太婆吧
岛国人真会玩;
你以为是个温情剧,结果是个神话。打斗场面只有两分钟。还没有小学生打架时间长。
芋生悠和去年一个暗恋的女生长得好像啊…学习一下疯批精神——这种人,你要远离他怎么能靠考学啊
“我们别无选择,只有竭尽所能。”
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