剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 蒙雅韵 4小时前 :

    没有老友记情怀加持,单纯觉得剪辑好乱,除去主角和配角的其他人出镜很尴尬

  • 桐优 0小时前 :

    这也太好哭了,大伙儿都是中年人了但 Phoebe 真是一点都变。虽然我昨天还在看老友记,只要从 S10 18Ep to S1 1Ep 老友记就永不完结 🥲

  • 诸葛幼晴 5小时前 :

    "我们很熟"和【回不去了】含量过于超标,导致我社畜后的脑袋上弹幕从"时过境迁"到"物是人非",被迫直面现实。

  • 綦夏兰 7小时前 :

    不知道你们留意到了没有,我觉得钱德勒的演员马修还是话太少了

  • 狂景明 2小时前 :

    Phoebe身上有小虫子那里太可爱了,只要心怀童真,不管真实年龄多大,永远都是双马尾的小女孩~

  • 毓叶彤 7小时前 :

    這大概就是明星不同於常人之處。

  • 闫韵诗 1小时前 :

    粉丝特辑 泪点满满 看到Geller夫妇 Richard Janice等等人物好惊喜 依然是我可可爱爱的男孩们和女孩们

  • 望忆安 5小时前 :

    胶片真是个好东西,存储的画面历久弥新。一定要多拍点照片视频留个念

  • 龙皓 7小时前 :

    一集都没有看过,丝毫不影响同感他们重聚的五味杂陈。一集都没有看过,我也认识Jennifer,并且当年为她和皮特的事忿忿不平,而今她已经沉静如水,哪怕谈起戏里戏外错过的火花。仔细看下来最投缘的是Lisa,几乎没变样,性格精灵古怪。CC说,我们不可能15年后再来一次了。对比起王牌里面残缺不全的cast重聚和敷衍的流程,这个特辑可谓完美。谢谢,让我知道第十季是个完美的结局。(哪天,从第一季第一集开始看看吧,希望不会弃。)

  • 美帆 9小时前 :

    钱德勒:当时在演其他的剧,讽刺玩笑,随便说一句话都是笑点!可惜身材变化对他的活力影响很大,第3季很爆笑。第8季有点疲倦中年感。

  • 牧鸿彩 9小时前 :

    社会议题、本格推理、青春热血,要啥有啥,原来蜡笔小新剧场版这么厉害

  • 藩范明 6小时前 :

    和新朋友一起看了老友记,聊起了和各自的老朋友一起看老友记的时光。真希望这样和那样的时光永远都不结束。

  • 顿丝微 6小时前 :

    阖家欢乐!如果ng花絮再多一点就好了ww。现场说第一季双R互相crush,重看的时候更代入了

  • 祁子继 4小时前 :

    這大概就是明星不同於常人之處。

  • 毛霞姝 9小时前 :

    今年居然是本格推理。青春是恋爱、是义气、是后悔、更是回过头看的微微一笑。而对我来说,青春就是陪我走过二十几年的你们。♡ 春日部,青春,FIRE!

  • 漫栀 7小时前 :

    老友记怎么能过这么多年都这么好笑!!!!本人怎么能跟角色这么像,David讲述最讨厌片场猴子时的较真,Phoebe发现虫的反应,Joey听到Ross玩骨头就会笑……5555没想到Monica和Chandler在一起是因为观众的反应……🆘这条线太好了。Rachel和Ross对对方crush过5555老友记真好。看观众采访时看哭了。

  • 校碧萱 3小时前 :

    I knew it!!我就知道第一季的时候大卫和詹妮弗互相喜欢,气场都和别人不!一!样!

  • 雨薇 4小时前 :

    五星给演员重聚,只是一个访谈节目而已。看钱德勒的话语感觉大家私底下的关系并没有节目里表现出来的那么好,说实话如果是为了这个重聚节目花了大价钱出场费的话,那也不是为了友谊的重聚啊,只是钱给得到位而已吧。

  • 林家 1小时前 :

    "我们很熟"和【回不去了】含量过于超标,导致我社畜后的脑袋上弹幕从"时过境迁"到"物是人非",被迫直面现实。

  • 花晶滢 3小时前 :

    久别重逢,触景生情~

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