Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
不管别人怎么说，还是想推荐这片。首先市井味儿很浓，难得的灾难片杂糅着喜剧因素的，119在本片中毫无存在感，但是可以充分体现大家的自救和活下去的决心，两个邻居的相继离去和老奶奶决定留下，虽然痛心，但也无可奈何。光洙患难见真情，除了活下来还收获了爱情。然后全能大叔让我体会到了健身的必要性。要想活到老，健身不可少，要想活得久，技能都得有。然后说说男主，本来是奔着大叔来的，但是大叔有点过于平凡了，就是个比较纯粹的好人，做事努力，做人脚踏实地。说个个人观点，顶楼的土，像极了提拉米苏😹😹😹
塌的挺快 过程挺扯 活下来的过程也挺太巧合吧
就不行诶 告诉大家灾难来临活下来全凭运气好？救援队感觉也就是个摆设 搞得我想去囤点物资和必要的自救设备以及去学点自救技能 别人和运气真的靠不住
看完“警长说电影”剧透来的，下面附上链接：
我居然是豆瓣第一个标记这部电影的人？哈哈哈哈哈。我只能说这部电影太烂了。是我看的第一部韩国烂片。我不知道这是什么，那么多灾难片，这部却是这个样子，没啥节奏，太失望了，太难看了。
不知道制片和导演是怎么把这些较有知名度的演员们忽悠过来的。烂到无话可说了，鼓掌！
喜劇不夠笑點，災難片沒有緊張感，全員演的都是自己玩爛了的形象，全片沒有一絲驚喜
看过最烂的灾难片……光洙——韩国知名笑星……我去这个无语的地方太多太多太多了……罄竹难书啊！
4.5
好神奇的一个灾难片，包括了超长的铺垫，对生活和房价的吐槽，奇妙的险情，没什么作为的救援队，喜剧性的脱困，以及神迹般的逃出生天。
挺好的一个题材，导演没拍好，李光洙的角色除了几段搞笑，真没啥用，跟女实习生看对眼的过程都很喜剧化，把这人物拿掉，真不影响整体剧情的开展~里面几个人物的设计都有问题，不一一细说了，反正没有拍出灾难片那种紧急，惊悚的气氛。题材真的蛮有新意的，可惜了，有点失望！
笑点能戳到，节奏紧凑协调，表演协调代入感强，全球影视制作衰退大背景下，韩影有点牛逼的
本来以为和《危楼愚夫》差不多，没想到情节这么离谱。
电影画面很有质感，节奏剧情也很连贯紧凑，当时被荼毒的中国社会表现得很有深度，真的很不错，打戏很多很燃！！
这特么就是喜剧片来的，灾难只是一个点缀，完全没有一点紧张感，特效很廉价，但是笑果还是有一点的，就是每个人智商非常低！
剧本的故事真的是太弱了，典型的流水线产品。
节奏开头太慢了 但是韩国的这种用各种大叔演电影的值得我们借鉴
归类到灾难片的科幻喜剧片... 韩国的地质状况不行 但公寓楼结实程度倒是厉害的 在地洞中下陷那么大的高度 依然没有解体 就离谱
四分 挺好看的，虽然是虚构 但是很细腻，一场灾难改变了所有人
爱奇艺8.5分随手点开，意外惊喜，一个动作历史片竟然有3次反转！！
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