Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
❷扎导主持追悼会，滚导施展CPR——横批：DCEU（论病灶：“毒唯”仅次于华纳）。
没想到这么差，角色的特殊技能，台词，派大星的设定，卖萌的鲨鱼...try to搞笑但包袱却抖的很尴尬，既不搞笑又不美更谈不上任何结构性功能，只有打打杀杀 连爆米花电影都算不上，杀死国王后还非得给上价值也是够了，btw 哈莉的飞花特效也实在太廉价
太长了。鲨鲨怎么还是这么dump，喜欢小丑女的白皮和dotsman。
~你是唯一我认为值得拿我标枪的人-我怀疑你在搞黄色。。。
What's the point？
和平使者的极端想法与法老王一脉相承 捕鼠者完全不是反派就是受害人 鲨鲨一路吃得很饱还顺便交了朋友 黄鼬躺赢到最后 (滚导适合拍瑞克和莫蒂真人大电影 哈莉奎茵动画第三季快来吧
中间一度想放弃，失望与惊喜持平。导演在这部超级英雄片里似乎不受限制，甚至有角色的砍杀权，这倒是比不死光环的主角们要有看点。老套的剧情令我更加去关注R级笑话以及几乎无休止的重口味画面——尽管笑话也很老土。总的来说，《新自杀小队》与其说是一部喜剧，更像是一部闹剧，除了血腥指数，你说这是另外一部《猛禽小队》我也是相信的。如何用精简的人设迸发团队的魅力，建议滚导再把《银河护卫队》看一遍吧。PS：美国政府被黑惨了，光这一点可以删减引进？ PPS：和平使者有点像呆瓜版的美国队长 PPPS：什么时候来个奎因大战黑寡妇？(3/5)
这片子光是对美国政府的讽刺就值得5星了，这种电影还请多来点！
不是我说 结尾黄鼠狼醒了 走进去的是雷区 你们发现了吗？
真人版《合金弹头》，或耗资1.8亿美元的Troma大电影——除了特罗马之父Lloyd Kaufman的例牌客串外，波点人变身的造型也太Toxic Avenger了。可能因为章节体，又是Men on a Mission movie，会让人想到《无耻混蛋》。与昆汀长期合作的剪辑师Fred Raskin功不可没，当然他跟James Gunn的渊源更久，第一份工就是给特罗马剪的《傻密欧与茱丽叶》。
Amazing！这才是我们想看到的不同于漫威的超级英雄电影嘛！够血腥，够暴力，战斗场面花样层出不穷，几乎每首配乐我都喜欢。用不多的文戏塑造了鲜明的人物形象（可爱鲨鲨需要朋友、血腥运动的女儿），甚至还有一定的政治因素。当然当然，小丑女哈莉奎茵奉献了最华彩的段落，华丽且疯狂，试问谁不会爱这样疯批的小丑女呢。真的好久没有看这样流畅风格独特大制作的商业片了，整个人看完感觉太棒。9/10
超英我又可以了（迪士尼不行）老鼠明明就很可爱！
看得很happy！鲨鱼老鼠好可爱！(但是怕老鼠的人要注意！有很多很多老鼠)哈莉女神yyds！还有一点小小的感动
简单说下剧情：五湖四海、五花八门、五申三令、五颜六色、五彩缤纷、五脏六腑、五马分尸。
詹姆斯古恩再次致敬自己是与张艺谋齐名的撞色大师。美国在别国秘密研制生物武器造成大规模感染的梗最近也听太多次了（雾
那m，那m；拉丁美洲国家革命史大体如此，大部分都被美国政府玩死；自杀小队成员应该像老鼠一样，虽然是“害”的存在，但也要有自己的目标；boss蓝红配色是美国国旗
美国派军队前往某国对某生物泄露事件溯源，结果调查发现该生物正是美国从野外捕捉，并准备将其武器化而释放出去的。正义的干部福某人想要曝光此事却被和平按倒在地，美军领袖更是百般阻挠，威胁“谁上前帮忙我就干死谁”。
OK? 可能因为缺少大屏幕加持，觉得看的有点累……哈利奎恩的红裙太美艳。还是那种熟悉的反高潮，well.
种族歧视、美政暗黑、意识洗脑、反抗霸权等各种政治隐喻不言自明！最解气的是，终于有人敢给那个女魔头一棒槌了！够血腥、够邪典，这才是真正有反英雄主义色彩的自杀小队！最惊喜的的是哈利奎恩的体术牛X的相当可以！最意外的是赢了大战的是看似普通而可爱的小老鼠们！他们的小主人明明在小队里存在感那么弱！这是号召美国少数族裔奋起反抗的呼声么，我不知道，但我觉得很好很合理，嘻嘻！PS：萌萌鲨，爱你（づ￣3￣）づ╭❤～！
血浆横飞脑浆炸裂，还有一堆超级反套路的情节，死的死伤的伤，这次的自杀小队总算是切题了。色彩斑斓的暴力与动画。哈莉奎茵的那场越狱戏绝对是是本片最最最亮点。
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