With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
杰拉德这不就是陷落体质么…到哪哪遭殃，加强版柯南
男主真是有魅力~女警察也挺好玩的
6/10吧，節奏挺好的的爆米花電影。姊姊好帥好帥！
除了那场格鲁吉亚战舞（那玩意不是芭蕾）外只剩下混乱和无趣。
一个场景警察局，看似复杂实则简单的人物关系，简单情节故弄玄虚复杂化。长得不帅还要装酷，恶心到人了。
片头感觉就是B级血浆片，看完了知道错了，也不B也不血浆，还想找找西部片的感觉，无聊
警察局的诸位死的不冤。。。。还不如女主一个小菜鸟。。。
以为会看到致敬意大利西部片的故事，结果虎头蛇尾。巴特勒硬是打不死是吧。
8.0/10 分。2022.02.20，初看，蓝光。恶搞了整个一战历史。黑了好多国家和政治人物，呵呵。可能这就是豆瓣低分的缘故吧，才5.4，IMDb上还好歹有6.5了。我开始看到这个5.4分，还以为电影本身不行了。原来是政治原因。。。我觉得娱乐性十足，挺不错的。至于政治和历史，在和谐社会，这个重要吗？
美国的警察太差劲了，警察局都快让人家给拆迁了。
有杰拉德·巴特勒在，为什么片名不叫《警局陷落》？😂身负失踪巨款以及大人物秘密的逃亡骗子藏身小镇警局，引来各自为政的两名杀手，瞬间血洗警局，警员接连被杀，只剩下一个中枪负伤的女警，四方角力，互为牵制，女警最终破解困局，惩奸除恶。扮演女警的黑人女演员还不错，在两名老戏骨面前不失分。
还是那句话，打发时间看一看可以，出彩倒不至于，剧情在紧凑一些更好
前面还行后面就有点为了人设不重逻辑了，黑妹大女主这种东西只能说大家都懂
《警察局》（2021）：
警察局陷落：剧情简单、满嘴套话、枪战烟花.......但是看看还可以！值得周末喝杯红酒慢慢观赏！就是美国痞子的那个调调，拿捏的准准的........
近2年好莱坞难得制作的有特点动作片，剧本聪明，封闭空间内的剧情发展就得有这个设计才好看。再加上几个主角配角都很出彩，令人愉快的电影，应该多拍些这类片子，怎么才6条影评，回头我来写一篇
先睹为快，所谓高清4K画质，电影🎦也许最后真的不是电影院🎦公映为唯一观看渠道了…给3星勉强
《警察局(2021)》 （2022.1.24） 5
前摇过长，节奏略怪，女主演技完全担不起女主，倒是两个杀手的对戏还挺有看点，一般
耐心點會發現，其實挺有意思的；美國警察本來就是很肥很廢柴的啊~有人還想要期待什麼動作槍戰麼~~
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