The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
剧情老套，无聊。毫无可看性，这电影真的是…………………………
楼上装修
《切勿擅动》的反义词：渐强的语气，且时刻保持着幽默感。
四平八稳，平平无奇。幸好女主和摄影，光线质感还算不错
大数据疫情时代包装下的犯罪片，导演还是想表达数据化带来的信息无处不裸露在外的惊悚也如同Angle极其敏感的表演一样。中间有场戏镜头把她影得很小，紧贴着墙走出寻求安全感，外界环境放大为噪音污染，摄影机好似尾随窥探的运动，妙用楼梯、机房、长廊等场景压迫感、窒息感、恐惧感表现淋漓尽致。
原型事件比电影精彩，体量填充存在严重注水，改编成短片会比较好些。
女主好帅 我也想过这种生活 但还是太把信息技术相关专业理想化了…anyway 活在科技互联里的感觉真爽～
最惊悚的大概就是即便像女主一样谨小慎微地在意隐私不出家门 大数据时代人肉一个人也是如此轻而易举 比起透过望远镜和窗户的偷窥 无孔不入的数据窥视让隐私变得无处遁形
咦，是我挺喜欢的调调。而且时长也刚好，现在很多电影太长了。。。
制定规则者违反规则往往可以逍遥法外，像剧中这样被反杀只能是底层人的美好愿望罢了
新时代新冠疫情下强迫社恐人士因为人工智能信息安全保护女性权益之《后窗》，前奏冗长，镜头重复，几乎只爽在最后10分钟。（ps女主的家看着好舒适
像一口气读完一部中篇小说
后窗加对话，索德伯格努力跟随时代步伐同时致敬前辈的个人风格悬疑
太西雅图了，根据地铁站女主角大概住Chinatown附近
像一口气读完一部中篇小说
继《智齿》之后又一部带着牙疼。 Kimi，一部疫情背景下掺杂着高科技人工智能的电影，看到了《后窗》影子，故事情节紧凑，吊打《门锁》。总结：钉枪真帅
给了那么多对窗宅男的镜头，我以为会有火花，结果凯文最终还是工具人啊……
女主反杀的也太随意了，这年头杀手不好当啊...
cool感十足 蓝转粉
四平八稳，平平无奇。幸好女主和摄影，光线质感还算不错
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