Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise.
A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80's, why it's taken so long for them to emerge and start killing people is a bit of a mystery, but there you go.
Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who's 'convincing' zombie make-up basically consists of green paint, which doesn't even cover the whole of the actors faces and keeps washing off in the lake.
There's also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40's if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots?
Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn't even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser.
That's not to say the film isn't without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!
3.5。有点脸谱化的主旋律电影，泰米尔纳德警察比日本鬼子还坏。
很印度，也很真实，人物如果还能丰满些就好了
“受害者得不到公正造成的伤害比他们遭受的不公正还要多”
也确实会让人想到我们的九十年代是什么样？
低种姓演员的本色出演！苦难使他们不需要演技！给了观众好的结局，让我们对世界对人还抱有希望，但黑暗的现实仍在继续，低种姓和贱民仍然活得不像人！这个奇葩的国度！
如果普通人只配像猪狗一样活着，生命只能任凭他人蹂躏，那这确实是一个不值得过活的世界。
毫无疑问，印度至今存在着非常严重的性别歧视和种族歧视，甚至可以在这里用一个“最”字。但印度社会允许质疑的声音发出来，也允许挑战这些不公的个人英雄主义的存在，还允许人们揭开旧伤疤看一看它究竟长好了没有……这就是他们的希望所在！
这种电影，它在宣扬最本真的善恶，它未必能打动更多的人，但它必须得有普世的意图在，这一点上这部电影做得足够优秀。而也唯有如此，世界才会让人有在进步的感觉在，哪怕是幻觉也好。
为了社会底层的奋斗 那么的激动人心 好看的印度电影 你 永远可以看不起印度很多东西 但是印度电影永远都不能轻视
“一个人是否值得尊重，不在于他有多少才能，而是取决于他用才能去做什么。”印度版辩护人，能拍出这样的电影，值得尊敬！
嫁祸于人，屈打成招，栽赃陷害，草菅人命，贪赃枉法，官官相护，蛇鼠一窝。世上本无新鲜事，无非是换个地方换一群人来上演。苦的依然苦，恶的依然恶。只希望男主这种人间的天使，救世主多一些，真正能改变这个世界。
根据真实事件改编。但是说教意味比较浓，也在主动去上升观点，导致我个人内心并没有燃起来，反而有点儿排斥。内容充实，2h44min基本没有水分（感觉这部印度电影已经很克制，只是放了歌而没有跳起舞了）。有时候看着看着就在想这算是杰伊·比姆的个人英雄主义电影还是要宣扬人权，虽然杰伊一直强调他是人不是神，但总有种他在装逼的感觉，于是这句话反而把他变得更神。虽然不知道现在印度的社会是怎么样的状态，但我想这部电影带给社会的意义应该大于电影本身吧。不过其实，这起案件中还有开明的法官和正义的调查员警官，还算值得庆幸的了。
难受得我一度看不下去！！那些畜牲的行径令人发指！判得真的太轻了！怎么不打回去啊！尤其是那个脱女人裙子侮辱女性的畜牲，真是惩罚太轻了。
印度版《辩护人》，居然还冲进了IMDB top 250…
印度代表性电影选题很好，开放性启示中国文化也应该更开放而不是更保守。当然，印度电影本身的问题就是叙事太过拖沓，一定要拉长到三个小时左右的习惯。
并算不上很妙，伏笔埋得太明显，显得很蹩脚。但要表达的东西倒挺真诚的，其实这样一个故事放到其他国家必定觉得不真实，但在印度真不好说。
种姓歧视，以权谋私，知法犯法。电影的意义大于电影本身，正义值得歌颂。万岁钱德鲁！万岁比姆！
男主律师很帅，此电影对印度低种姓阶层的刻画过于真实，真实得令我很难过。印度电影是真敢拍，对女主来说，她最想要的绝对不是钱，房子，而是找回孩子的父亲。
这个拍出来的形势，就像一个印度超人拯救平民一样，这种跟传统的美国意识形态相一致了。
此时不想讨论叙事，类型，技法，形式……
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