The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
非常英国，结合老太太的法国隐秘往事和电影业从无声到有声的变革，讲了一出好故事
虽然有些忘了每个人物的具体事件细节，但熟悉的音乐响起时还是倒带了一大圈，也算是很喜欢的一个系列了。
一场婚礼开始。一场葬礼结束。
大荧幕看真棒
"stop that noise,I can't hear myself die"
爽片。所有剧情都依着角色的意愿发展。一个矛盾出现，下一秒立马解决。单薄但是对于老影迷来说，很爽。
送房子这个从头到尾有反转，最后结尾是好的
希望Maggie Smith在我死之前都一直演戏。
screening night.电影院好豪华啊
对粉丝来说满满的感动
我妈挺喜欢这个剧，给她下的电影版第二部，我在边上带带拉拉也看完了。
非常英国，结合老太太的法国隐秘往事和电影业从无声到有声的变革，讲了一出好故事
对于唐顿迷来说 这是完美的 作为一部电影来讲无疑也是优秀的
人事来来往往，唐顿庄园依然屹立在那里。一个时代就这样落幕了。
本吃瓜群众代入感强，老夫老妻的长篇小说桥段很受用，满意。
看这个之前看了十五分钟的我要我们在一起，太尬了
好不容易结束三个月的封控，电影院开了去看，结果删减版，整件事都绝了。
元电影这层处理地很有意思。双线叙事增添了不少乐趣，可惜没多大关联。
摘下唐顿的滤镜就会发现，这本子简直像是国内编剧的水平……除了老夫人和大小姐的情事、电影与唐顿的换代两相对照是妙笔之外，几乎再难找出优点。平均用力的群戏尚可视作粉丝特供餐，但矛盾的解决全靠只言片语点醒梦中人（导演比大小姐还不懂电影，黛西都能教育女演员），也太离谱了吧？！
整体还行
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