Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
常规的盗宝片，用来设定篇幅很多，故事想要表达很多，但全程没有紧张刺激感，鉴古董要没有视觉效果配合就枯燥。整体很一般
如果我是一个小孩，我会很感激有人能把这部电影推荐给我的。
凡是涉及到动物的电影，往往会有评分虚高的成分在里面（尤其是狗），连这部6.4的评分也包含在内。完全就是和《新小鬼当家》不相上下的制作水准，畅销书改编成这样不知道还能不能畅销了。千篇一律脸谱化的东西，也许小孩子就喜欢这个也说不定。派拉蒙也就破罐子破摔了。
一个由两个失落的灵魂引发的故事，最终以一个大家庭结尾，没有大场面，只有温馨的故事，有时我们需要这种治愈阖家欢的电影
虽然很多不合理的地方，但是童话嘛，哪有那么严谨
67/100。比较尴尬的白左价值观传达电影，但是狗狗憨态可掬、情节轻松滑稽、人物弧光鲜明、主题依旧动人，看完也不觉得亏。
大红狗！！啊啊啊啊啊啊！！太可爱了啊啊啊啊啊啊啊啊！！！！
狗狗！！狗狗！！！！狗狗！！！！！狗勾就是世界上最可爱的😭😭😭我也想rua可爱狗狗😭😭😭（片子是一个虚假又美好的童话 像片头片尾的绘本那样）
如果我去年也坚持养那只小狗😢😢😢
随便一看。遗憾之作，看得出来编剧其实仔细打磨过，可惜没把力气用对地方。为了反转而反转，为了烧脑而烧脑。硬凹，整的太硬了，硌牙啊。年代感和服化道还是有可圈可点的地方。
实在受不了一只不停制造麻烦的又臭又吵的巨大动物，主角拯救所谓自己“宠物”的过程就是充满个人英雄主义的不负责任，最后的扣题也勉勉强强吧，陈词滥调和creepy的动物
感觉我好幼稚哦，但是我还是挺喜欢这种电影的，看起来很开心，毕竟我也很喜欢狗狗。小女孩的演技感觉也是可以的。
儿童向合家欢电影 就是个童话故事 大概因为我已经是个无趣的大人所以总是会想到很多很现实的问题 如此大的一条狗的伙食费和排泄问题要怎么解决（ 最后喜欢追球这点还是无法控制这样总有一天会出问题（ 反派除了偷狗这点过于粗暴其实为了研究这个目的也没多邪恶 不过反正是童话 最后总会HE问题总会解决的 萝莉和狗的可爱度都比较一般 所以总体感觉还是比较一般吧
虽然是个儿童片，但是小孩和大狗的人物关系没有做好，这是本片根本之处
不太看得下去…女孩演技太差了，呆滞的眼神好出戏。本来只想给两星，多一星给狗子吧
一部挺有意思和儿童家庭喜剧故事。爱的付出与收获是相等的。孩子的世界应该就是如此吧。愿每个人南麟电子可以保持一份童趣。
虽然是个儿童片，但是小孩和大狗的人物关系没有做好，这是本片根本之处
就是很水很套路的那种故事。说实话给两星都嫌多一星半吧。
[视]派拉蒙流媒体，儿童片，个别镜头剪得极短。有个场景有趣，两个小孩驾车迎面遇上警车故作镇定，动物像人，小孩像大人，大人像工具
理性看片，中间实验室被放出来的那些动物，不是一个生物灾难吗？？？大红狗的比例在前后特效也是有问题
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