The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
6. COP president Alok Sharma openly weeps, only adding to already dangerous sea levels
期待2022，还能什么更荒诞魔幻的事情不能在地球发生
对民主党和共和党的讽刺力度完全不同，只能说就是好莱坞左派带着屁股拍的~
确实是don’t look up 的互文，纯纯地狱笑话。
2020也去死，2021也去死，世界持续魔幻中，伪纪录访谈片，最主要例举了米国全年魔幻大事件。
同样的段子同样的手法，再来一次就不新鲜了。
21/12/31：伪纪录片形式点评一整年的时事，机灵得很啊。
一脉相承。感觉2020去死才看了没几天，怎么一年就没了呢…
我真觉得，全球化反人类行动，已经让最好的编剧都无法复述的更没人性一些了。
性转喜剧版《做我的奴隶》，冷酷大姐姐&蠢萌小狗狗，有点好嗑，甜就完事了，要啥自行车
看了预告，认为男主选角很到位，我也想欺负他。
新手女S & 老手男M，意料之中的反差设定。圈内 / 外人的（轻）喜剧。
DS发展成爱情 还是挺难得的 男女主都很用心 拍成这样实属难得...
2021真的死了，因为2022来了。。sigh
就。。还没有SNL和各种late night show好看？
2022.1.2 收着历史的烂摊子，百废待兴。逆全球化、去多元化，世界范围内的开倒车，降智与割席。我羡慕这些白人熟练而精准的讽刺，因为他们真正参与了历史的进程。比起赤裸面对文明的创痛更无力的是再没有人会为我们记住苦难，如果不是我们自己。
4. 社媒的能力是 monetize anger & despair
这是个测试题：你觉得哪一方的人说的超可笑？哪一方的人说的似乎有点道理？恭喜你，可以通过这个判断自己属于哪一方（手动狗头）
Isn’t human race fucked up as a whole and too late to be saved when a streaming platform feels the need to document and summarize all the batshit crazy shits that happened in the past year because they happen more often than should and no one cares any more
同样一个套路，放在大洋彼岸拍就是情欲试探或是探索性觉醒再到“真我”挖掘，身体动了，心智也要觉醒；放到更“内”的影视制作语境里，自然也就顺其自然地发展成了“欧尼与小狗的快乐结局”这般糖水（因为再“过火”的演绎已经有那些小电影了，自然不需要那么做），对照起来看有意思。物料里的噱头最终被转嫁为李濬荣成功转型、用心良苦的几刻特写；徐贤“正直忙内”的团设在脑海里挥之不去，始终委婉把人推开。如同这最后不尴不尬的呈现，也看得一样在被束缚。
Copyright © 2015-2023 All Rights Reserved
