A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
#不散#最坏不过人心呀！音效很好，女主台词还不如老太太，有点生硬…不过国产恐怖片能不能别老是拿病毒说事，麻了…
挺好的，故事完整，失忆女主去村子寻找失踪的弟弟，调查水猴子事情的真相，最后当然是有坏人故弄玄虚遭到报应。恐怖悬疑气氛营造得挺好，而且节奏快不拖沓，是会专心致志看的那种电影。故事情节因果关系没有明显硬伤，最后水猴子撑起石门有点迷，他又不是大力士，可能是不死说不过去吧，毕竟是鲨了人，虽然值得同情也不得不给个温情结尾后写死s了。演技也都在线不会出戏，大女主撑起来了，不尖叫不一惊一乍的，是沉稳机智干脆利落的人设。上次是看黄皮子坟觉着国产悬疑片也是有好看的，五星鼓励下
第一部是真水怪 第二部是人心险恶 不过这个病也实在太夸张 战斗力太强了吧 王真儿旗袍挎枪加上低沉的声线 帅 不过整部就结尾换了身衣服 也是… 结尾强制煽情也是… 就剧本有好的地方 硬伤也很多
封建迷信的统治真可怕。女主的长相很有味道，泥里的打戏也挺好看的。被困住的这一家太惨了，唉。出生和命运真的好有关系。
说几句与电影无关的，时代变了，时代大势浩浩荡荡，逆之者亡，顺之者昌！！！但要想打破旧时代的顽固势力，就必须有先行者！！！一个国家一个民族必需有先行者！！！
逻辑硬伤颇多，到后期完全垮下来，但网大来说已经能看得出用心并且应该鼓励，就像网飞终将崛起，而国产网大也必须拥有一席之地。
李逍遥在锁妖塔对自己说：我已经跟灵儿成了亲，我怎么可以忘记……时间会让人淡却很多，看起来食之矫情的姐弟情，啧，你还真不一定有
另外这部网大可以说是良心之作了，最起码没有敷衍了事！
就是火爆猴和镰刀那段打戏太长太拖拉了感觉（镰刀人真的开了挂吧，打完一次就开挂一次，比绿麻子还开得狠）
套路，但是动作场景爽得不行；期待不高，这样就行了。
前面有点不敢看，后面还是被煽情哭了，女主演技不错，长得也好看。剧情还可以，她俩弟弟都好可怜
2分鼓励下吧，剧本硬伤啊，都没讲清楚水猴子由来，就借了水猴子的由头，还讲的不清不楚，女主的弟弟是真的多啊，从小一起长大的弟弟家豪，引出故事的工具人，没几个镜头，卒。再就是自己的亲弟弟清河，从小就被当成怪物，最后成了解救孩子成全姐姐成为英雄的工具人，卒。最后一个就是刚认的弟弟小六子，成了接姐姐班拯救全村英雄的接班人。看抖音推荐还以为多好看，结果啥也不是，浪费时间。
还不错，道具精致，剧本扎实，算是高配网大了。
居然还不错，基本情节都有，逻辑也有，女主演的挺好。
战斗场面真漂亮啊，几乎全程汗毛竖起（deku果然是理想型 重回蜜月期了
看评分比第一部高，可是明明比第一部差多了￣^￣゜
评分「8.0」
难得在电影院看恐怖片，还是抱了期待去的，但要说恐怖吧，也不恐怖，全靠水怪5倍速移动和刺耳的音效，布景粗糙有些影响观感和体验，像在看舞台剧，我觉得最大的槽点是水怪死得太刻意与敷衍了，竟然是抬起石门为了救小孩被压死🆘
但故事节奏真的有点诡异很容易出戏😂
中间使用“黑鞭”逃跑的场景，仿佛在看日本动画版《蜘蛛侠之英雄远征》…….动画制作依然保持着高水平，但其他就没啥新意了。
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