Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate. ——Written by Sundance Film Festival
是天气很热还是我很辣。他妈:辣你妹。妈,这段我又得重录。用洗过的钱当脏钱去买东西洗钱哈哈哈。fbi像邮局?较真lose想过警察瘾。史上第一遭黑人脱罪白人蹲监狱!故事简单但是人物都很丰满。
多年来韩国电影中的警察发挥还是比较稳定与正常的,依然愚蠢到家。
much like bebe rexha's music, cheap thrill. Kristen and colby are two charismatic ladies, long live THE GOOD PLACE!
难以想象这电影和昨天刚看的终极大闷片Beneath the Harvest Sky出自同一对导演之手(by the way,好奇他们哪来的渠道总能请到一堆蛮强大的卡司)。
法治国家就是好啊,漏洞被人利用了,遭受了损失,还要承担这份损失,比如ATM机自己出错,给钱,就是银行承担责任,那些排队利用的人,得利。优惠卷还真是个好东西啊。女主是不是有点对眼儿??哈
人类真的是,千方百计搞钱,搞来了之后又大笔挥霍。
挺搞笑的,薅羊毛最高境界,买卖军火洗黑钱,是个绝顶聪明的主意
节奏确实一般,没有原版的厚度,有珠玉在前,还是差了一股劲
剧情转折像贝尔肉毒素过量的脸一样僵硬,试图去探讨一些问题
教唆如何开展非法生意?毕竟赚了几百万美元才只需要坐牢一年不到
把犯罪片拍得轻松幽默且没有荤段子 真的不错
跟原版的解救吾先生没法比 翻拍跟闹着玩似的 绑匪看上去都特傻 还有一个特疯哪里是为了钱 男主黄政民还不错
翻拍片看出新感觉,比起解救吾先生电影的戏剧感更强了。黄政民主演的电影从来不让人失望
绑匪也挺蠢的,就是一帮变态佬。
节奏有点奇怪,全局把控得不太好。但我还是好喜欢这一家人!
怪咖的血脉传统实在珍贵,这一家可谓命硬家族。
互相翻拍,卧槽,警察好弱智,黄政民一人撑场子啊,政民哥威武,鸡血满满
反派毫无魅力,原版警察的戏份其实很多挺精彩的,这版几乎成了人质的独角戏。
“这辈子就算了啊,下辈子我再孝顺您啊”
亚当斯的配乐一向不错 赞啊 可惜这部有点偏低龄化了 不够暗黑不够哥特
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