Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
第一次看这种类型的电影，第一视角太爽了，氛围感拉满！游戏中队友的吐槽虽然多是作为背景音出现，但确实很还原现实中对战的情形，我也会碰到这样碎碎念的队友。
调色道具布景都相当用心，就是故事和感情线弱了点，当初的战队究竟发生了什么也没说。
经典的剧本，不做作的表演，这种草根电影还要期待什么me
说实话，这个特别篇故事并不好看，外加的西班牙舞设定真的很尴尬。本来还觉得新人物欧吉桑蛮有魅力的，但是！加入邻家boy暗恋欧吉桑这个桥段不觉得很怪吗！？全片看完最让我意犹未尽的居然是制作人和大音乐家的暗线，我就问这个什么时候单独做个番外，我想看！
挺好的 可能是错觉吧 总有几个恍惚的瞬间觉得 有点像亢奋
另外剧作里丰富的颜色让人赏心悦目，如果舞蹈部分多画点细腻点就更好啦！
确实是被名字耽误的电影，从各个方面来说都是网大里面的将军水平。特效细致到我震惊，包括游戏场面的剪辑也是比较过关的。但故事确实平庸，打出4分还是有些勉强，总体不到三星半的水平。相信在工业化程度更高的未来，网络电影也会更加精彩更加动人。
看开头这不就是我嘛，又ADHD又穷，看到后面，好吧这不是我，我哪里有好人炮友和包容我的爱人……
Andrey就是Joanna的药啊
7分。没想到本片豆瓣讨论区会因为“太他妈”还是“太他爹”吵起来。年轻的有多动症的乔安娜麻烦缠身：没钱买药，身体开始不受控制；家里未缴电费停电，可是老爹只会窝在沙发里看电视；母亲离世，父亲一直走不出来，得了抑郁症；自己好不容易和一个妹子情投意合却因为破事缠身产生误会。为了解决这一切，乔安娜打算把pao友的大ma卖了，弄点钱先买药吃。结果当然是破事越来越多。最后总算解决了麻烦，与小女友快乐地在一起。我喜欢pao友的态度，愿意帮乔安娜承担责任。更喜欢乔安娜无论如何都要还钱的决心。非常青春洋溢的一部电影，很美好，插曲很好听。
最值得说的，当然是真人演出加特效的几段cosplay，在网大的经费条件下，效果相当还原，简直催人泪下。
不论从剧情走向、伏笔埋设，还是游戏还原度、主旨立意，都设计得非常出色，难得一见的网大好片。女主是个腿精。
就有点走剧情，讲述爱情理论。比较教条主义了，互动得有点少，跳舞速成真的好假哦。不过爷爷真的不错，年轻时候是个放浪不羁的美人啊。好吧，对蠢太的天使翅膀依旧觉得好萌啊
闸机入泳池转场好看.ADHD配恋爱悸动.视听比较合节奏，熟练细腻，略油，不含蓄，主观.站位+手持等暗示做情绪.主观视觉诱导过于直白.点题非常生硬.
继续保持着又扯又古早又浮夸的风格。不过强烈的带着感情的舞蹈真的非常打动人！
网大本就应该和网络环境交相辉映，无论内容还是用户。本片发行显然在吃透目标受众上做到了极致，方能用恰切的资源去打大数据之下的口碑战。戏里不惜一切代价反抗电竞背后的资本，戏外本片的出彩则得益于积极同用户背后的大厂力量握手，和斗鱼的高度挂钩、战略合作打开的是一道双领域的缺口：资本在这个时代不会出卖绞死自己的绳子，只出卖自己受刑的伪纪录片。
家庭和个人原因造就了女主不自信，撒谎以及各种无语行为。女主演的还行 就是这种青春片团圆结局都看腻。
恋をすると、こんなに弱くなると言うこと。東谷准太，史上第一甜攻qwq！！磕拉了555555
估计演员们没少花心思学习游戏的建模，去模仿生硬的动作，左右探头、伏地螺旋转、蹲下、换枪等，演得很到位；
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