Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
困境反转的剧情一点都不有趣，
壞得挺單一，打得挺過癮。ps：近期看解放日誌入戲太深，總覺得是在看具先生三浦水槽前的生活。
还可以。老头这是为了啥？为了女秘书？还是路见不平？ 有点拉垮
困境反转的剧情一点都不有趣，
剧情有些硬伤，但演员的演技是真的可以的。值得四星
一部不错的编剧转型导演的单场景作品，构思严谨，调度舒畅，马克叔演技如火纯青。
3.5，结局不难猜，剧情编排有点意思，但每次反转后就总是差点劲。
虽然舞台剧的感觉有点浓，但仍然非常值得一看
好看。但大boss太明显啦，而且其余配角智商和地位不太匹配😂。
好强的story train + narrative skill. 很精彩
老派，精巧，但剧本看起来很像是为了拼凑悬念而缝合在一起的“套装”。
密闭空间的精彩剧情，裁缝老爷子从头到尾都很优雅。
I'm not a tailor，i'm a cutter.
如果你不追求完美 就无法做出伟大的事情。。。
中规中矩的上帝视角反转舞台剧，男主的工匠精神到位
但其他倒也没什么新鲜的。韩国人说话又碎又细，叨叨的而且效率很低，骂人也就是西八西八个不停，歹徒发狠总给我一种同一个模子刻出来的感觉。
节奏和气氛都很好，几个重要的转折过于失信。做成舞台剧去演，讲不准更好看一些。
大爽片，匕首斧子砍刀乱战媲美黄海了，马东锡碾压式的实力真硬派。
这片不能细想，不然肯定会发现BUG，比如那卷磁带_______（防剧透）。但在小空间里做成这样，真的很难得了。
还不错，最开始略碎，但是自从里奇和弗朗西斯那段开始互相指着枪的对决开始就精彩起来了，后来里奇被杀他黑帮爹来店里找人那一段真是精彩，他爹发现里奇的外套时，我看得汗毛都竖起来了。最后一段火烧裁缝店时弗朗西斯又突然莫名站起来了感觉就有点强行没必要😬（可能主要是为了介绍裁缝的背景吧——他的第三个版本的小故事）最后。自从Kingsman开始，我就一直觉得英国的裁缝大概是一个神一样的存在，优雅但又稳狠准，大概都是深藏不露的特工级别，有着永远不领盒饭的主角光环吧😅。最后的最后。画面非常复古，色调和灯光很喜欢，恰到好处，在一间小屋子里的完成的电影，nice。👍
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