James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
网大的动作戏拍成这样确实挺意外的，但是非得来点不切实际的吗，你让谁下岗呢，小老百姓。
质感不错的网大，四星鼓励。缺点是老三还是太弱了可能限于篇幅没往细里刻画吧。
出人意料的好看，三个短视频名场面原来出自一部电影，谢苗真的是一名好演员啊。
一直以为网大洗钱的呢，看来还是有人愿意拍好电影的
剧情比较简单无脑，但是打戏都挺精彩的，算是合格的网剧。
谢苗的打戏是真不错，小成本网大也在尽力拍出质感，给他一个大制作，我感觉他能成为下一个吴京
亮点是打戏，拳拳到肉...
作为一个网大，还是很不错的，绝对及格，打的很痛快！
本片的动作场面虽然不够精致，篇幅也有限，但硬核度足够，写实性的打斗偏甄子丹的实战风格，尤其是结尾大巴内有限空间里的生死对决，创造性及观赏性形成的性价比极高，在一众网大里也算出类拔萃，毕竟这种比较写实的打斗动作戏还是比慢动作的装逼动画强得多。
故事冲突制造的生硬无比，好歹是讲完了。拍个系列吧。
动作戏份还不错，没有网络电影的塑料感。就是反派的设定不怎么样，有点单薄和套路化。
刚开始那三兄弟多牛逼，后来那么拉，就这智商？
谢苗可以的，文戏武戏都能带观众入戏，真的超其他演员一截，每次看其他演员表演略感出戏的时候，都被他拉回来。
谢苗可以啊，继续努力就是未来的巨星！这个电影不合理的地方还挺多，别的警察也太慢太闲了，李红旗一个人把活儿干完了
现在这个社会，小混混小流氓注定不能长久，反腐打黑必须时刻不停！
真害怕警察11哥是坏人卧底呀
谢苗还是多拍些现代的动作片好一些。整个剧情都是很套路的，角色都是很脸谱化，没什么特点，看完后没有让人留下深刻印象的地方
站在网络电影创作方式的立场 是值得三星的，谁都知道可以更好。
苗儿啊，别再演猴了，我恨不得一夜暴富把你搬家来给我演《东北黑道风云二十年》
谢苗从小看到大…… 这次特别接地气。片子除了对赌局抵押资产描述有点蒙逼之外，其它都很不错，几位演员演技在线，比一些大制作不知所云的片子好上太多。
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