Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
各种莫名其妙
2022.4.**滑冰运病毒，为了女儿不惜毁灭世界，为了女儿拯救世界
华夏发行确实牛逼，春晚乳虎啸春里乳虎的造型不用说肯定是华夏的小动作。
木啥值得推荐的，没头没尾！从开头就让人一头雾水，结尾更是潦草，太多bug实在是
片子质量真的比预期高出很多，尤其是人物、场景、动作特效的亮点极为突出
换汤不换药，比较老套的故事，不过故事发生在镖局，这倒是有点新意的，但整体故事没有什么亮点，而且小虎墩的性格也不讨人喜欢，太聒噪了。总体来说，故事流畅性还可以，小虎墩的性格也鲜明地体现了出来，算是合格但并不突出的国产动画了。
确实是部烂片，剧情设定老套，其实就是讲了一个为了女儿而变成了一个毫无人性的母亲的故事。
还是别这么宏大背景的说故事了，从架构到细节，都不足以支撑，完全没有必要虚构这么一个莫名奇妙的没有故事的故事。末世了，还是这个水平的战争状态？装备差到一小冰刀？雪地迷彩，敌人都有，执行这么重大任务的小分队一个都没有？？？战术基本上是参考警匪枪战片的吧？很多桥段都极其刻意，还毫不连贯，全片洋溢着浓浓的自我感觉良好？原本对北欧电影还抱期待的，这部低分片，确实是表现低分，不是偏见。完全不推荐。
两颗星都给阴郁的色调，无尽的冰面滑行，还有那持续几秒的极光画面。
这评分也太低了！其实片子还是不错的，前期节奏还是在线，就最后的反转有些突兀。
纯粹由母爱串起的剧本，过于苍白了。女主角前后转变也太快了。另，病毒只靠一颗手榴弹就可以杀得死吗？
整个剧本和《大圣归来》殊途同归，其实“国漫崛起”这几年，至少70%以上的动画剧本都是套公式：一长一幼的冒险之旅，过程中互相救赎，最后合家欢收尾。也许这种“黔驴技穷”会成为国漫今后长时间的一种状态。
速滑完成战役任务，还是挺新颖的，整个一冰上的北欧两项。
总之，看看还是无妨。
不知道说些啥。
获得自由的唯一途径，
怎么说呢，为了应虎年的景的合家欢式的贺年动画片？但就觉着给大人看吧，嫌幼稚了 ;小朋友看吧，内容又有些超龄，结果有些四不像。
女主救女心切，比较新颖的是冰面穿越敌后，已经最后的强行升华
结合俄乌战争，以及美国的生物实验室，很有些现实意义！
三星给特效和冰面场景和武器，剧情逻辑乱七八糟
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