Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
这都2021年了还在捉鬼，孩子们都忘了上上一代人辉煌的的捉鬼历史了，不过人呢就是这样，遗忘，开始再轮回，这也就是所谓的情怀，炒不炒冷饭只是个标签，意思也是这个意思，大概率就是陪陪孩子，自己也顺便找一下过去的回忆，不过人都长大了，小时候的环境也看不到这些电影，文化差异，以后的小朋友更加看不到了，电影里的小姑娘真好看，之前的《天才少女》也是表现的很出彩，未来可期啊，蚁人先生就是打酱油的感觉，走起路来傻傻的，那些经典的棉花糖纯粹是卖情怀，不过我还真吃这一套，太可爱了简直，哈哈哈哈
一车能装下那么多人？还有一镜到底看得是真晕啊……
拉情怀？这就是意识形态差距？丝毫没人带怕的，鬼片活生生变青春冒险片
总得来说一般吧。菲比让我疑惑了半天，是小男孩还是女孩？后来才知道，小女孩，长的挺好看，不过，不知道她长大了什么样，毕竟外国人经常有长残的。还有那个黑人女孩，也挺好看。别的，没啥好说的呀。他们的在外人感觉很奇葩的外祖父一直在默默的守护着这个世界，尽管一直不被人理解，被人当成异类。直到他死，直到他变成了鬼魂，也一直在守护。最后现身和家人冰释前嫌。就这吧，真没啥可记的。那些棉花糖的小人挺可爱，但是吧，哈哈，一群捣蛋鬼。
情节紧凑，一镜到底临场感强，阿金斯打的真是漂亮，会真功夫的欧美动作男演员里，个人认为是最强的一个了，就差上个3A大作了
比Kristen Wiig那版好不了多少，这帮孩子角色无聊得很。Carrie Coon大材小用
怎么说呢，就当个小故事看吧，其实挺没劲的，情节近乎白痴，但是特效还可以，只不过boss的设定太拉胯了，全片只记住了那一堆棉花糖
那个胖鬼还挺可爱的。12岁女主将来可成大器！
连看太多闷片就能理解无脑爽片存在的重要性，但爽片不爽就非常致命…比喝假酒还难受…基本就是原内容翻拍新瓶装旧酒，但这新瓶…比旧瓶子质量差太多……最后硬生生让老爷子们重聚卖了拨情怀。
发现一只小萝莉 011#2022年看208部电影
自捉鬼敢死队变成超能敢死队后就越来越低能了。
剧情拉跨，但是节奏还算紧凑，没有让人想直接关掉的冲动。值得三星
四个小鬼头之间的团队默契没能产生多少化学反应。情节几近没有笑点，冒险历程乏味枯燥。唯一惊艳的是小妹妹Mckenna Grace，换个卷毛短发学霸发型也遮掩不了自身散发的星光，未来可千万别长残啊！
超能敢死队 2022.2.2 还行，爱科学动手强的小萝莉。
所谓的完美续集 · 重启成青春ip真的可以有
伪一镜到底，晃得想吐，主角光环严重，反派弱鸡都是领盒饭的，勉强三星吧。
这种可可爱爱小孩儿当家的风格深得我意啊，什么西部乡下复古奇幻我最吃这一套了，简直是
显然这是《捉鬼敢死队》正统续作！虽然剧情略显低幼，可是剧本很扎实，也延续了前作的笑点和叙事节奏，不是来割韭菜恰烂钱，另外结尾原班人马出现，他妈的激动的眼泪都流出来了...这要比《骇客帝国》有诚意太多了。
挺牛逼的，节奏特快，这个队长给力，一个干一帮人，好看
尽管反派和高潮十分薄弱，且和近年来的超自然儿童电影一个调调，但执行过关，毕竟是个正统续作啊。
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